What Would Liz Lemon Do?

Mom, Apple geek, baseball fan, writer. Lover of all things Cleveland.


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Bad fashion choices and more about “Us”

remembering-hands-across-americas-featured-photo

Yes, Hands Across America was really a thing.

I just saw “Us”, the scary and brilliant new movie from Jordan Peele. I can’t get the movie out of my head and I need to share some thoughts about what I experienced. Don’t worry, no spoilers here, I promise.

  • I love the 80s flashback and, especially, the Hands Across America ad. Who could have ever predicted back in 1986 that, 30 years later, the event would figure in a shocking plot twist and some of the most striking and creepy imagery in a movie?
  • The first hour of the movie is filled with anxiety and scares…then things get *really* crazy. And right before it ends, the movie punches you in the gut, just for good measure.
  • If I see anybody in a red jumpsuit and sandals, I’m going to punch them right in the throat. I’m not taking any chances that they aren’t murderous doppelgängers.
  • All of the actors are terrific in pulling double duty playing two versions of their characters. But Lupita Nyong’o is next level. When she’s on the screen, you don’t just watch the movie, you feel it. Her performance is what makes that twist at the end really sting. And speaking of that twist…
  • I can’t do it! I can’t spoil the movie. I wish I could because I’m dying to talk about the ending! But, trust me, it’s a chiller and it will stay with you.

My advice to you if you want to see “Us”: avoid everything about the movie that you can. Don’t watch trailers or read reviews and, by all means, stay away from spoilers! Go in fresh, knowing as little as possible about the movie. You’ll be glad that you did.


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30 Day Song Challenge – Day 3: A Song that Makes Me Happy

I know, I know…I haven’t been writing every day as I pledged to do. Let’s just get on with it, OK?

Today’s selection is a song that makes me happy. Just a quick aside here but the 30 Day Song Challenge really lives up to its name because I’ve had a tough time choosing songs so far and today is no exception. As a music lover, all music makes me happy but there are certainly those special songs that bring a smile because they trigger memories of special places, people, events. Remember the end of the movie “Romy and Michelle’s High School Reunion” and they fly away in a helicopter with the rich guy while all the popular people below watch them fly away? Belinda Carlisle’s pop opus “Heaven is a Place on Earth” plays during that scene so whenever I hear the song now it makes me smile. I love to hear “Glory Days” over the loudspeakers at Jacobs Field after an Indians win.  And some songs just make me laugh…I defy anyone to listen to “We Built This City” and not laugh.

Maybe it’s just because the holiday season has just passed and it’s still fresh in my mind but the Jackson 5 version of “Up on the House Top” always makes me happy. If you’re of a certain age, you will probably remember performing this song at elementary school Christmas programs. It’s a fun song but the hand motions that accompany it are what really make the song fun. You remember them, don’t you?

Up on the housetop (hold your hands above your head in a point to simulate a roof)
Reindeer pause
Out jumps good, old Santa Claus (big flourish with the arms – Santa is here, kids!)
Down through the chimney with lots of toys / All for the little ones, Christmas joys
Ho, ho, ho (hands on stomach to simulate a deep belly laugh, just like Santa)
Who wouldn’t know? (big shoulder shrug)

There are some other hand motions but I think my favorite is the part where you snap your fingers along with the lyric “Up on the house top / click, click, click” to simulate the reindeer hooves on the roof. It was always such a blast to perform this song. Years later, when my nieces and nephew were in grade school, I loved watching them perform it as much as I loved performing it, all those years ago. Of course, kids don’t sing this song in school any longer. Christmas programs  are now called winter programs, to celebrate the season instead of any religious tradition so songs about Santa are forbidden. Hey, I’m OK with respecting all celebrations of faith but can’t we all just agree that, no matter what we believe in or celebrate in December, “Up On the House Top” is just good, old school fun?

By the way, I love one of the later verses of the song that details what little Will got in his stocking: “a hammer and lots of tacks”, as well as a “whip that cracks”. Who is more insane: little Will, for wanting that stuff, or Santa for giving it to him? When I hear this lyric I envision a Christmas morning celebration going terribly wrong with this little maniac trying to pound a tack into his sister’s head or chasing the dog, cracking his whip at him.

This isn’t a song that lends itself to more contemporary performances since it’s so often sung by choirs of children. You wouldn’t expect to hear this on, say, the latest album of holiday classics from Michael Buble. But the Jackson 5, with a pre-teen Michael Jackson on lead vocals, fits the bill. The Jackson brothers’ performance is funky and fun, the perfect combination of childish joy and R&B edge. Instead of dolls and hammers and whips, the Jackson brothers ask Santa for guitars, three foot baskets and dancing shoes with “lots of sole”. Not only does this song make me happy but the Jackson 5 version makes me want to dance.

Now that the holidays are over, it will be another 10 months or so before I’ll listen to “Up On the House Top” again. I really don’t like listening to Christmas songs outside of the season. So I guess I’ll need to think of another song to make me happy. Baseball season is right around the corner so, hopefully, I’ll start hearing “Glory Days” soon and on a fairly regular basis.

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Great Duets of the 80s: Going Together in Perfect Harmony

Tony Bennett recently released his album Duets II an album of duets (duh) with popular artists, like Lady Gaga and the late Amy Winehouse. Or, as I like to imagine the 85 year-old Bennett calling them, some of today’s “hep cats”. The lineup of artists is diverse and it reminded me of the glory days of duets, the 80s. Yes, the 80s were a time of perfect pairings between some of music’s biggest stars. Some of those artists went together in perfect harmony, just like ebony and ivory. And some of them were pretty freaking weird, which was par for the course in the 80s. Here are some of what I consider to be the most notable duets from the 80s:

“Say, Say, Say” and “The Girl is Mine”: the world’s biggest pop star, Michael Jackson, got together with an ex-Beatle to record three songs, although only two of them were released as singles. The first was “Say, Say, Say”, which was recorded for Sir Paul’s Pipes of Peace album. It’s a pretty cool, funky tune. The second was the awful “The Girl Is Mine” from the epic Thriller album and it was really awful. Inexplicably, it was the first single released from Thriller, which makes the album’s huge success even more remarkable because the song is awful and I’m surprised anybody bothered to give Thriller a second listen after hearing that song. “The Girl Is Mine” somehow managed to reach number 2 on the Billboard Top 100 chart, which should tell you something about how nutty the 80s were. By the way, did I mention that “The Girl Is Mine” is awful?

“State of Shock”: now, this is how you do a duet with Michael Jackson. “State of Shock” is a nasty jam between MJ and another MJ, Mick Jagger. It was actually a track from The Jacksons and Mick Jagger, recorded for their 1984 Victory album, but this song is Michael, all the way. Interestingly enough, the song was supposed to be a duet between Michael and Freddie Mercury of Queen but Freddie dropped out after a dispute with Michael (perhaps they argued over who was the bigger queen?) All that exists of that potentially epic collaboration is this demo.

“Under Pressure”: speaking of Freddie Mercury, he recorded one of music’s all-time great duets with David Bowie. There isn’t much else to say about this song except that it’s awesome, freaking awesome. It’s worth noting that, while Queen and Bowie never got the chance to perform the song together live, Bowie did perform it with Annie Lennox at the 1992 Freddie Mercury Tribute Concert. Their duet almost reaches the beautiful heights that the original scaled.

“Dancing in the Streets”: David Bowie has done some memorable duets in his career. Who can forget his creepy collaboration with Bing Crosby on “The Little Drummer Boy”? Bowie returned to more familiar rock territory with this duet of the Motown classic with Mick Jagger. If you believe the claims of Bowie’s ex-wife, Angie, this wasn’t Bowie and Jagger’s first duet, if you know what I mean. And the video is kind of gay. But who cares? The song is a blast: it’s big, bold and rambunctious, just like the decade that spawned it. The pair vamped it up in a live performance of the song at the 1986 Prince’s Trust Concert.

“Ebony and Ivory”: this features another pairing of two greats, Paul McCartney and Stevie Wonder. The song uses the black and white keys of the piano as a metaphor for race relations. It’s hard to hate on a song that is so well-intentioned but, man, this is just a dumb song. I much prefer the “Saturday Night Live” parody performed by Eddie Murphy as Stevie and Joe Piscopo as Frank Sinatra.

There are plenty more to cover but I thought I would start with some of the high points. I’ll cover more 80s duets in the next few days. In the meantime, what are some of your favorite duets from the 80s?


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Michael Jackson, We Speak Your Name

It’s the eve of the one year anniversary of Michael Jackson’s death and, yet, I’ve been strangely quiet on the subject. I say “strangely” because, first, I am a huge Michael Jackson fan and the fact that I wouldn’t have something to say on the subject is probably surprising, especially to those people who grew sick of hearing me talk endlessly about MJ in the days (or was it weeks?) after his death. Don’t get me wrong…I’m not one of those ca-ra-zee fans that wept over his every move or threatens to kill Dr. Conrad Murray. But I think I have watched Michael Jackson videos more than home videos of my own sons so that probably qualifies me as a big fan. Second, the anniversary of one of the biggest pop culture legends of all time is the type of thing that I would obsess over anyway, regardless of whether or not I was a fan. And, let’s face it, obsessing over pop culture minutiae is one of the reasons I launched this blog.

The fact is, I’ve been thinking about MJ a lot and could probably write a book on my thoughts about his death. But what’s the point? In the days preceding the anniversary of his death, every pop culture pundit will weigh in with their thoughts on the year since Michael’s passing. Media outlets will devote hours to covering the anniversary and MJ’s attention-hungry former hanger-ons will join Larry King and his ilk to share their memories of life with Michael. The tributes will range from fan-centered celebrations of Michael’s fabulous talent to bizarre spectacles that just defy explanation. I’m certain those dancing Philippine prison inmates are practicing a new dance routine as I write this.

So I don’t have much to add, except for a simple observation. I firmly believe that, to a large degree, fame and public attention helped to kill Michael Jackson. Of course, that’s a highly complex argument and you could rightfully argue that, he sought out that fame – all celebrities do – and if he couldn’t deal with it, then that was his own problem. The public certainly didn’t force him to take drugs, including Propofol, the lethal anesthesia drug that killed him. But with stars like Michael Jackson, there are more sensitive issues at work. It wasn’t just the fame that killed MJ, it was the intense public scrutiny and judgement that I believe helped to drive him over the edge. And I believe that this same tragedy has the potential to play out again and again.

Throughout his career, Michael Jackson received a lot of attention – a good deal of it negative. And, let’s face it, MJ didn’t do much to prevent negative attention or endless speculation on his lifestyle. While I firmly believe he never molested any child, even his most ardent supporters would have to admit that his behavior with children was unusual, bordering on dangerous. But he was a deeply flawed and tortured individual. We know some of the demons that plagued him – a demanding father, substance abuse, plastic surgery addiction – but I think there were many more issues lurking under that highly plasticized exterior that we could only guess at. My point is, we didn’t know the man. Not even the people closest to him could truly say that they knew him very well. But we judged him. Fans and detractors alike judged him. And what did we have by which to judge him? Questionable tabloid articles and sensationalized media coverage. Some awkward interviews orchestrated by a “journalist” (I use that term very loosely) with an agenda to advance his career. And, of course, a highly public criminal court case for which Michael was found not guilty by a jury of his peers. All of this drove a highly sensitive and damaged man to a lifestyle that could never end well. We have seen it happen before – Elvis, Judy Garland, countless rock stars – and it will happen again.

But it doesn’t have to keep happening. The fans, the people who consume pop culture madness can help stop it. Of course, we can’t hold interventions or conduct counseling on our favorite troubled stars to deliver them from their bad habits. But we can stop going to the Internet to write awful things about the latest celebrity trainwreck. We can stop buying tabloids and visiting repugnant websites – I won’t even link to or mention the worst of these but let’s just say he likes to print obscene pictures of underage pop stars that he has potentially doctored – that support this kind of online bullying. We can help to provide an environment for these stars that is more supportive, or at least relatively free of the kind of vitriol and hatred that helps to drive a troubled person deeper into their nosedive. If we do this, we might save a few crazy celebs. So what? But stopping online hate will do more than take some heat off of celebrities. It will help to create a less hateful and ugly online world where everyone can feel safer, not just celebrities. It might just create an environment where people can have productive discussions with civil disagreements.

I know what you’re probably saying…do I honestly believe that being nicer to celebrities online will help make the Internet a better place? Yes, I honestly do. Because if we stop to think about how our online words can hurt someone – celebrity and non-celebrity alike – and if we refrain from posting inflammatory and hateful words, other people will notice a more positive direction in the discussion and perhaps contribute their own positive thoughts. And the movement will build on itself, to help to create an online environment where hateful speech isn’t supported.

So the next time you want to flame someone online – a celeb, a poster who doesn’t share your opinion, your friend who said something hurtful on your Facebook page – don’t just think about how your posting will affect that person. Think about how your reaction will contribute to a broader online world and make a positive contribution instead.

Rest in peace, Michael. We speak your name.

DISCLAIMER: I don’t really watch Michael Jackson videos more than home movies of my own kids. I was just saying that for comic effect. Honestly. No, really, I’m telling the truth!